Elvis Presley Painting with Cheese Puffs on Velvet – Cheesy Art in Cheetos
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Admiral George Churchill (1654-1710) Photo Mugs A three-quarter length portrait of George Churchill, facing to the left. He wears a dark plum red velvet coat with gold embroidered buttons and button holes and a dark brown full bottom wig. His right hand rests on a baton, and his left is placed on his hip. A ship with a blue flag at the main is in the left background to denote his naval career. As younger brother of the first Duke of Marlborough… |
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Admiral Nicholas Haddock (1686-1746) Photo Mugs A three-quarter-length portrait facing slightly to left in a red velvet coat with gold embroidered button-holes and edging to the sword belt. Haddock distinguished himself early in his naval career, at the Battle of Vigo Bay in 1702. In 1707 he was promoted captain and while commanding the Grafton, 70 guns, was the leading ship in Admiral Byng, Viscount Torringtons, victory at Cape Passaro in 1718… |
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Michiel Adriaenszoon de Ruyter, Lieutenant-Admiral-General of the United Photo Mugs A three-quarter-length portrait to right in a black velvet coat with silver buttons. Over his coat he wears a wide, plain collar, a dark cloth baldric and a gold chain with a medallion of Louis XIV, which that king presented to him. He holds an ivory-topped cane in his left hand and in the right background, through an archway, is his flagship and other ships of the Dutch fleet. His arms are in the… |
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Painting Sidewalks $0.79 … |
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Rich Diesslins Funny Religious Light Cartoons – Religious Light Velvet Last Supper Painting – Light Switch Covers – double toggle switch $13.75 Religious Light Velvet Last Supper Painting Light Switch Cover is new and handcrafted utilizing unique process resulting in a stunning high gloss ceramic-like finish. SET OF MATCHING SCREWS IS INCLUDED giving it a perfect finishing touch. Made of durable metal material…. |
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Kitsch Me If You Can $1.99 … |
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Alla Breve $25.85 Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free.This is an OCR edition with typos.Excerpt from book:II GEORGE FREDERIC HANDEL There exists a well-known painting which pictures the boy Handel, in his night-shirt, seated before the old harpsichord in the dead of night, and surprised by the astonished family, which is headed by the father, lantern in hand, all pressing into the room and bewildered at seeing the youngster’s calm disregard for paternal injunctions. History does not tell whether the immediate consequences of the discovery were sensibly painful for little George; but if they were, they did not deter him from pursuing, all his life, a vocation to which his singular genius called him in spite of his father’s wish that he should be a lawyer. And the little player in a nightie grew up to be a great master in a fine periwig, clothed in silk and velvet, decked with jewels, the friend ofkings and dukes, basking in the glorious rays of popular and universal veneration. Handel was born at Halle, in Saxony, on February 23 of the year 1685, or a little less than a month before the birth-date of J. S. Bach, whom he survived by nine years, dying at London on April 14, 1759. But the lives of these two great contemporaries have little in common, save that both lost their eyesight with advancing age. Bach married twice, Handel not at all. Bach never left the shadow of the church; Handel was always drawn to the footlights of the stage. Bach is the luminous daybreak, Handel the towering sunset cloud. Simultaneous, they are well nigh antipodal. Providence played an important role in the life of Handel. A chance visit with his father, a bleeder and surgeon, to the court of a German princeling who expressed his delight when he happened to hear the boy play, was the cause of his receiving music lessons. He made such rapid strides that,ten years old, he was a performer of no m |
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Alla Breve $18.76 Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free.This is an OCR edition with typos.Excerpt from book:II GEORGE FREDERIC HANDEL There exists a well-known painting which pictures the boy Handel, in his night-shirt, seated before the old harpsichord in the dead of night, and surprised by the astonished family, which is headed by the father, lantern in hand, all pressing into the room and bewildered at seeing the youngster’s calm disregard for paternal injunctions. History does not tell whether the immediate consequences of the discovery were sensibly painful for little George; but if they were, they did not deter him from pursuing, all his life, a vocation to which his singular genius called him in spite of his father’s wish that he should be a lawyer. And the little player in a nightie grew up to be a great master in a fine periwig, clothed in silk and velvet, decked with jewels, the friend ofkings and dukes, basking in the glorious rays of popular and universal veneration. Handel was born at Halle, in Saxony, on February 23 of the year 1685, or a little less than a month before the birth-date of J. S. Bach, whom he survived by nine years, dying at London on April 14, 1759. But the lives of these two great contemporaries have little in common, save that both lost their eyesight with advancing age. Bach married twice, Handel not at all. Bach never left the shadow of the church; Handel was always drawn to the footlights of the stage. Bach is the luminous daybreak, Handel the towering sunset cloud. Simultaneous, they are well nigh antipodal. Providence played an important role in the life of Handel. A chance visit with his father, a bleeder and surgeon, to the court of a German princeling who expressed his delight when he happened to hear the boy play, was the cause of his receiving music lessons. He made such rapid strides that,ten years old, he was a performer of no m |
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Alla Breve $19.61 Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free.This is an OCR edition with typos.Excerpt from book:II GEORGE FREDERIC HANDEL There exists a well-known painting which pictures the boy Handel, in his night-shirt, seated before the old harpsichord in the dead of night, and surprised by the astonished family, which is headed by the father, lantern in hand, all pressing into the room and bewildered at seeing the youngster’s calm disregard for paternal injunctions. History does not tell whether the immediate consequences of the discovery were sensibly painful for little George; but if they were, they did not deter him from pursuing, all his life, a vocation to which his singular genius called him in spite of his father’s wish that he should be a lawyer. And the little player in a nightie grew up to be a great master in a fine periwig, clothed in silk and velvet, decked with jewels, the friend ofkings and dukes, basking in the glorious rays of popular and universal veneration. Handel was born at Halle, in Saxony, on February 23 of the year 1685, or a little less than a month before the birth-date of J. S. Bach, whom he survived by nine years, dying at London on April 14, 1759. But the lives of these two great contemporaries have little in common, save that both lost their eyesight with advancing age. Bach married twice, Handel not at all. Bach never left the shadow of the church; Handel was always drawn to the footlights of the stage. Bach is the luminous daybreak, Handel the towering sunset cloud. Simultaneous, they are well nigh antipodal. Providence played an important role in the life of Handel. A chance visit with his father, a bleeder and surgeon, to the court of a German princeling who expressed his delight when he happened to hear the boy play, was the cause of his receiving music lessons. He made such rapid strides that,ten years old, he was a performer of no m |
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Arabic Designs $3.9 New – Exquisite adaptations of 165 elegant motifs depict florals from ancient Persian fabrics, star-shaped 13th-century tiles from Iran, a detail from a painting of Mecca and Medina (18th-19th century AD), floral patterns from a 17th-century Indo-Persian velvet panel, a dancing figure representing the constellation Andromeda, and much more. 165 black-and-white designs. Identifications. |
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Arabic Designs $3.9 Used – Exquisite adaptations of 165 elegant motifs depict florals from ancient Persian fabrics, star-shaped 13th-century tiles from Iran, a detail from a painting of Mecca and Medina (18th-19th century AD), floral patterns from a 17th-century Indo-Persian velvet panel, a dancing figure representing the constellation Andromeda, and much more. 165 black-and-white designs. Identifications. |
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Avant-Garde and Experimental Films (Film Guide): Blue Velvet, Mulholland Drive, Powaqqatsi, the Straight Story, Un Chien Andalou, Naqoyqatsi $36.8 New – Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (films not included). Pages: 261. Chapters: Blue Velvet, Mulholland Drive, Powaqqatsi, The Straight Story, Un Chien Andalou, Naqoyqatsi, Donnie Darko, Meshes of the Afternoon, Alphaville, The Life and Death of 9413: a Hollywood Extra, A Movie, The Fall of the House of Usher, Dog Star Man, Pull My Daisy, Motion Painting No. 1, Last Year at Marienbad, Bat |
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Avant-Garde and Experimental Films (Film Guide): Blue Velvet, Mulholland Drive, Powaqqatsi, the Straight Story, Un Chien Andalou, Naqoyqatsi $36.8 Used – Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (films not included). Pages: 261. Chapters: Blue Velvet, Mulholland Drive, Powaqqatsi, The Straight Story, Un Chien Andalou, Naqoyqatsi, Donnie Darko, Meshes of the Afternoon, Alphaville, The Life and Death of 9413: a Hollywood Extra, A Movie, The Fall of the House of Usher, Dog Star Man, Pull My Daisy, Motion Painting No. 1, Last Year at Marienbad, Ba |
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David Lynch: Dark Splendor $100.72 Used – Parallel to the film career for which he is justly admired, David Lynch (born 1946) has always worked as an artist, having trained in painting at the Corcoran School of Art and the School of the Museum of Fine Arts in Boston in the mid-1960s. Lynch’s photographs, paintings, prints, drawings, and more recently, musical compositions, are an indispensable part of his oeuvre and frequently a source of inspiration for his films. Fans of such classics as “Blue Velvet,” “Wild at Heart,” “Twin Pe |
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David Lynch: Dark Splendor $100.72 New – Parallel to the film career for which he is justly admired, David Lynch (born 1946) has always worked as an artist, having trained in painting at the Corcoran School of Art and the School of the Museum of Fine Arts in Boston in the mid-1960s. Lynch’s photographs, paintings, prints, drawings, and more recently, musical compositions, are an indispensable part of his oeuvre and frequently a source of inspiration for his films. Fans of such classics as “Blue Velvet,” “Wild at Heart,” “Twin Pea |
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Fabulous Fabric Embellishments: Elegant & Innovative Techniques $6.35 Used – “Add your personal touch to…classic techniques of applique, embroidery, and beading, as well as the recently popular silk fabric painting, stamping and velvet embossing. In the Gallery…view wonderfully photographed samplings.”–”Vogue Patterns. “Innovative techniques and elegant presentation set this book apart from other volumes on fabric embellishment….The photo samples are stunning and the close-ups enable you to see the details. Each of the book’s 38 embellishments is presented |
